Culture and history info

The earliest recorded inhabitants of the city (6th century BC) were the Greek tribe of the Dassaretae or Dexarioi, the northernmost subgroup of the Chaonians, and the region was known as Dessaretis after them. Modern Berat occupies the site of Antipatreia (Ancient Greek: Αντιπάτρεια), which originally was a settlement of the Dexarioi[5] and later a Macedonian stronghold in southern Illyria.[3][6] The founding date is unknown, although if Cassander is the founder it has been suggested that Antipatreia was founded after he took control of the region around 314 BC. In 200 BC it was captured by the Roman legatus Lucius Apustius, who razed the walls and massacred the male population of the city.

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By the 18th century the economy and society of Berat was closely connected to the city's craft guilds partly related to various tax exemptions that existed since the late Middle Ages. By 1750 there were twenty-two guilds, the most important of which were the tanners', the cobblers' and other leather-working guilds. Other guilds included metal-working, silver-smithing and silk-making ones.

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Berat Castle is built on a rocky hill on the right bank of the river Osum and is accessible only from the south. After being burned down by the Romans in 200 BC the walls were strengthened in the 5th century under Byzantine Emperor Theodosius II, and were rebuilt during the 6th century under the Emperor Justinian I and again in the 13th century under the Despot of Epirus, Michael Komnenos Doukas, cousin of the Byzantine Emperor. The main entrance, on the north side, is defended by a fortified courtyard and there are three smaller entrances. The fortress of Berat in its present state, even though considerably damaged, remains a magnificent sight. The surface that it encompasses made it possible to house a considerable portion of the town's inhabitants. The buildings inside the fortress were built during the 13th century and because of their characteristic architecture are preserved as cultural monuments. The population of the fortress was Christian, and it had about 20 churches (most built during the 13th century) and only one mosque, for the use of the Muslim garrison, (of which there survives only a few ruins and the base of the minaret). The churches of the fortress have been damaged through the years and only some remain. The Church of St. Mary of Blachernae dating from the 13th century, has 16th century mural paintings by Nikollë Onufri, son of the most important post-medieval Albanian painter, Onufri. In a small tree - planted square, on a hillside inside the walls of the fortress, stands the 14th century Church of the Holy Trinity. It is built in the form of a cross and has Byzantine murals. Outside the ramparts is the Church of St. Michael (Shën Mehill), built in the 13th century. This church is reached by a steep but perfectly safe path. Near the entrance, after a guardhouse, is the little Church of St. Theodore (Shen Todher), which have wall paintings by Onufri himself. The most interesting is the cathedral of St. Nicholas, which has been well restored and is now a museum dedicated to Onufri. Onufri was the greatest of the 16th century painters in Albania. Not only was he a master of the techniques of fresco and icons, but he was the first to introduce a new colour in painting, shiny red, which the French called "Onufri's Red". In addition, Onufri introduced a certain realism and a degree of individuality in facial expression.